Today, Toronto’s Good Kid share their new single “Eastside,” a sharp, driving anthem built around rivalry, unresolved tension, and the uncomfortable jolt of running into someone who used to know you. Equal parts defiant and cathartic, the track captures the feeling of being misjudged, and refusing to disappear because of it.
Multi-platinum and four-time JUNO Award winning The Sheepdogs return with their brand-new single “Keep Out Of The Storm”, a warm, mid-tempo, rolling slice of guitar-driven rock, anchored by frontman’s Ewan Currie’s double-tracked, reverb-washed vocal and carried by rich harmonies and a driving groove. Tracked live-off-the-floor, the single crackles with the unmistakable energy of a band capturing lightning in real time. The song is the latest offering from their forthcoming full-length album of the same name, Keep Out Of The Storm arriving February 27th 2026 via their newly minted label, Right On Records.
With less than six weeks until the arrival of their eighth studio album on January 9, 2026, ALTER BRIDGE return with their brand-new single, “Playing Aces.” The track bursts open with the band’s trademark dual-guitar firepower as Myles Kennedy (vocals/guitars), Mark Tremonti (guitars/vocals), Brian Marshall (bass), and Scott Phillips (drums) lock into the muscular groove that has defined their sound for more than two decades. The propulsive verses build into a soaring, unforgettable chorus, highlighted by Kennedy’s declaration: “If I risked it all, I hope you’ll understand that I had to play my hand…”
“Playing Aces” is available now across all digital service providers. The accompanying music video—directed by J.T. Ibanez—is also out today and can be seen below.
Myles Kennedy explains:
“The term ‘Playing Aces’ ties in with the gambling analogy of risking everything regardless of how many times you’ve failed in life. It’s a last-ditch effort to come out on top.”
With over twenty years as one of rock’s most consistently acclaimed bands, ALTER BRIDGE continue to push forward. Renowned for their towering riffs, infectious melodies, and masterful guitar interplay, the quartet will release their self-titled eighth studio album on January 9, 2026 via Napalm Records.
To celebrate the worldwide release of his third album The End, GRAMMY® Award-nominated songwriter, vocalist, and multi-instrumentalist Wolfgang Van Halen is back with another installment music video for the Mammoth-verse. “Same Old Song” picks up where the video for “The End” wraps up and returns the universe created by Wolfgang back to normal. The music video for “The End” – directed by Robert Rodriguez – saw Wolfgang’s bandmates mauled by a collection of zombies, vampires and werewolves. “Same Old Song” starts with Wolfgang waking up from a dream and realizing things are back to normal as the band rehearses the new song. Directed by JT Ibanez, the video shows Mammoth depicting their trademark live-performance style that they have come to be known for. The music video for “Same Old Song” can be seen here.
Softcult, the JUNO-nominated Ontario-based sibling duo featuring Mercedes (she/her) and Phoenix (they/them) Arn-Horn, have shared their powerful new single “She Said, He Said”, from their recently announced debut full-length album, When A Flower Doesn’t Grow, out January 30, 2026 via Easy Life Records. Pre-save/order the album HERE.
Speaking about the new single, vocalist Mercedes explains, “‘She Said, He Said’ is a song about believing survivors of assault. It’s known that SA cases are historically under-reported, and most victims don’t come forward for fear of being accused of lying. When survivors do come forward they are all too often blamed for encouraging the situation that led to the assault in the first place. Myths and bogus claims aiming to dismiss allegations of assault perpetuate misinformation that leads to mistrust and suspicion of survivors when they decide to share their stories. This culture of misogynistic skepticism contributes to the silencing of survivors, enabling predators to continue with their mistreatment while escaping accountability. This song tells a story that is all too familiar; the “nice guy” that coerces and pressures his victim instead of asking for consent.”
On the track’s accompanying official music video, Mercedes continues, “We wanted to create a visual that tackles this very poignant and nuanced subject matter in a respectful way, while still resonating and getting the intended message across. We decided to focus on the frustration many women feel when we tell traumatic stories and are met with suspicion and accusations. We chose an interrogation room setting to capture the feeling of “making a case” for our truth to be heard and believed. We included some Easter eggs referencing other videos from this album cycle, which represent a common theme of patriarchal oppression and abuse. The clues displayed as evidence on the interrogation room table lead directly to the anonymous male characters in other videos (Naive, 16/25). However, the detective fails to make the connection, blinded by patriarchal bias, and instead casts suspicion and classically blames the victim.”
“She Said, He Said” joins previously released singles: “16/25”, a track confronting the predatory behaviour of older men who groom younger women; “Naive”, a hauntingly honest exploration of disillusionment and emotional awakening; and “Pill To Swallow”, a searing, shoegaze anthem that confronts our world’s most uncomfortable truths with an almost-eerie clarity.